Many Media, One Art
Scores & Recordings
Twelve short pieces for piano. Listen to the complete set or any single miniature, and download the scores — freely available for study and performance.
Twelve Pieces · 13:56
Motion
Visual works exploring mood, texture, and the slow unfolding of image over time.
Photo Moods: Dew on Long Grass
Photo Moods: Sunset Sky
Photo Moods: Forest Fog
Photo Moods: Bird Tree
Photo Moods: Creepy Doll
Photo Moods: Corridor of Horrors
Photo Moods: Beach Sunrise
Photo Moods: Sunset Tree
Photo Moods: Lone Tree
Photo Moods: Dark Forest
Nebulae
Fractal Ambient 4
Fractal Ambient 5
Still Image
Still frames drawn from generative fractal sources — each source explored for the moments worth holding.
Fractal Art 1-1
Fractal Art 1-2
Fractal Art 1-3
Fractal Art 2-1
Fractal Art 2-2
Fractal Art 2-3
Fractal Art 2-4
Fractal Art 2-5
Fractal Art 2-6
Fractal Art 2-7
Fractal Art 3-1
Fractal Art 3-2
Fractal Art 3-3
Fractal Art 3-4
Fractal Art 3-5
Fractal Art 3-6
Fractal Art 4-1
Fractal Art 4-2
Fractal Art 4-3
Fractal Art 5-1
Fractal Art 5-2
Fractal Art 5-3
Fractal Art 5-4
Fractal Art 5-5
Fractal Art 5-6
Fractal Art 5-7
Fractal Art 5-8
“A philosophy of art-making rooted in unification — where music, image, and motion converge into a single voice.”
Dwayne Smith was born in 1956 in Colorado, USA, and has degrees in composition and conducting from the San Francisco Conservatory of Music. He has studied jazz, concert music, electronic music, and early music, among many things. Some of his teachers have been John Adams, Andrew Imbrie, Alden Jenks, Pandit Pran Nath (at Mills College), Laurette Goldberg, Elinor Armer, and others. Though music has been a love since childhood, he is also fascinated by visual arts and dance (modern and not-so-modern).
“The boundaries between art forms are artificial.”
The idea of Polymedia is “Many media, one art” – where for instance, music isn’t added to video or visuals are added to music: they come into being together as one. Think of Richard Wagner’s gesamtkunstwerk (all encompassing art), but for a digital age. There’s something wonderful happening at the intersection of Art and Technology and that’s where I’m exploring and creating.
Your contributions directly fuel this exploration. They allow me to dedicate more time to refining these digital assets, experimenting with new generative techniques, and building tools that push the boundaries of what's possible. By supporting my work, you're not just a donor; you're a partner in this creative journey, helping me turn abstract concepts into immersive art. Let's build something beautiful together!
THANKS!
For inquiries, collaborations, or commissions — leave a message below. Every note is read personally.